Aimee Mann

Reading time: 2 mins

It was my first visit to the Old Fruitmarket venue in Glasgow last night, to listen to ‘that woman who had several songs on the soundtrack of Magnolia’, Aimee Mann.

I can’t quite remember how I discovered her, but it was only recently that I purchased her previous album Bachelor No.2 and, quite liking it, I soon found I was a bit late to this party. She won’t tick the boxes for everyone and if I’m honest I’m surprised I like her enough to go and see her live.

Still, she has a way with lyrics that I like and a knack similar to Guy Garvey for capturing gorgeous imagery even if she is overly preoccupied with the freaks and failures of life. She does have a great ear for a tune and last night she picked several songs from her new album which does feel a little more upbeat than previous offerings.

The Old Fruitmarket is a small venue so the night had a nicely intimate feel to it, although it probably helped that I was four rows from the front. Aimee has a nice laidback on-stage persona which lends itself to a low key gig that felt well paced and never rushed. I admit I was expecting things to be a little ‘rockier’ than they were but it was far from a disappointment.

Halfway through the main set, she asked for requests and considering how they stumbled through “Dear John” (it took a member of the audience to remind her of the opening line) it was certainly a genuine performance. Supported by a very slick band it was a surprise when they reached the end of their main set, time flies and all that.

Back out for four songs, all requests and then off to politely raucous applause (everyone stayed seated), it was an intimate if somewhat removed show. Highlights included the requested singing of one of my favourite songs, 4th of July, and a solo acoustic version Red Vines which was mesmerising and hauntingly gorgeous.